
Micah Crandall-Bear
(b.1980, American)
Micah Crandall-Bear’s abstract landscape paintings examine Earth’s intrinsic resources and our disposition toward their accelerated transformation. His concept is infused with linear layers that cascade from atmospheric to subterranean. Landscape details hint at daily and seasonal shifts in light, evoking a sense of evolution and balance. He presents abstractions that inspire a deep and effusive connection to nature.
Crandall-Bear achieves longitudinal depth by exacting precisely rendered lines and seamless expanses of color. This explicitly composed depth communicates a sense of contingency and locality. Micah’s construction of space is enhanced by his painting method. His ‘wet-on-wet’ method is a contemporary application of ‘alla prima,’ a traditional technique used mostly in oil painting, where layers of wet paint are applied to previous layers of wet paint. No matter how precise or general the area, Micah’s layered brushstrokes are decisive, but also gestural, often spanning the entire surface of the canvas from left to right. This highly active method of painting is sometimes tempered through rapid buffing and blending. The outcome is a smooth, boundless, and energetic surface.
As a Sacramento, California native, Crandall-Bear established his artistic roots locally and continues to promote the growth of his community. His work is represented in the United States, Asia, and Europe. He has been featured in ArtSlant, Art Maze Mag, American Art Collector Magazine, Forbes and more.
Works

Axiom

Carnelian

Domain II

Domain III

Hydrous

Strandline

Ventria

Kykeon

Mathias

Mezo

Nadine

Passenger-1

Passenger-2

Passenger-3

Passenger-4

Tevora

Skyen

When You Feel Happy and Sad at the Same Time
Past Exhibition

Art Fair
Chronicles…Frozen In Time (Art Stage Jakarta 2017)
11 - 13 August 2017

Art Fair
Art Stage Singapore 2018
26 - 28 January 2018

Art Fair
Art Jakarta 2019
30 August - 1 September 2019

Axiom , 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
182.88 x 121.92 cm

Carnelian , 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
152.56 x 121.92 cm

Domain II , 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
152.24 x 121.76 cm

Domain III , 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
60.96 x 60.96 cm

Hydrous, 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
182.88 x 121.92 cm

Strandline, 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
152.40 x 121.92 cm

Ventria, 2017
Crandall-Bear, b.1980, American
Acrylic on canvas
156.56 x 122.08cm

Kykeon, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
198.44 x 183.20 x 3.8 cm

Mathias, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
198.44 x 183.20 x 3.8 cm

Mezo, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
183.20 x 152.08 x 3.8 cm

Nadine, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
183.20 x 152.08 x 3.8 cm

Passenger-1, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
50.80 x 40.64 x 3.8 cm

Passenger-2, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
50.80 x 40.64 x 3.8 cm

Passenger-3, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
50.80 x 40.64 x 3.8 cm

Passenger-4, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
50.80 x 40.64 x 3.8 cm

Tevora, 2018
Crandall-Bear, b.1980, American
Acylic on canvas
244.16 x 335.60 x 3.8 cm


When You Feel Happy and Sad at the Same Time, 2019
Crandall-Bear, b.1980, American
Acrylic on Canvas
122 x 214 cm